Daniel Anderson, born in Pompton Plains, NJ, is an artist’s whose interest and career started at the age of 7 by means of a coloring contest which his fictitously ‘won’, by means of  his mother self-addressing a letter and a large box of crayola crayons. 

Through accelerated arts classes, winning some national poster contests through early grade years, and having a valued mentor outside of school, Daniel became familiar with all mediums leading up to and through his grade schooling, which led to his recruitment and scholarship at Syracuse University. He has also studied painting in Florence and was the sole NYC artist selected annually for a residency in Melbourne, Australia.


With some tremendous professors that saw Daniel’s oft eccentric but truly imaginative side, he excelled in his college courses, in two concentrations. Continuing his high school obsession with cubism (Picasso) futurism(Boccioni) and his idol of supreme visual fantasy, Salvador Dali, Anderson started to push the boundaries of abstraction as it applied to movement and form, becoming more and more fascinated with the aggressive physical breakdown and exploration of matter. During his studies in Italy, students were instructed to pick the fruit from the market to paint. Anderson ate the fruit and painted from memory, stating to his profesor,”I don’t paint what is there, but what it see [and feel] is there.” The realistic accuracy and technical skill stood its ground…and with a wink, the artist humbly stated,”I’m sorry, I was hungry.”


His visual capacities allow him to visualize composition of form, movement and external energies that he is inspired to convey from his own internal and external energies. This ability and perspective - to be able ‘decode’, break down and buildup matter and [the interpretation of] its forms as he abstracts them -  makes his portrayal of energy a fascinating expression. In 2015, Anderson coined this hybrid of styles ‘supreme abstraction’, reasoning, “the work cannot be categorized and is unique unto itself, despite certain areas of any given work being tied to prior influences. In the works, light, shadow and form constantly evolve as a result of external catalytic energies - including transparencies, co-planar movements, dynamic color palettes. You will see homage to aforementioned artists in his work, often hidden.


His continued affinity for surrealism and it’s hyper-visualization of matter and

forms are seen in his own complex visual expressions that cross over into his

entirely unique mixed media expressions. Anderson’s restless creative energies

wanted to expand his expression for energy, movement and form into

2D & 3D forms.  He devised a way to control and sculpt movements of texture,

undulating to any depth or height in his ‘sculpted canvas’ method.  He finds the

visual experience of such ‘live physical energy’ to be captivating - even r

endering with light and shadow[depth].  His notable sculpted canvas series,

DIFFUSION SERIES, comprise of a limited edition of ten large energy narratives

that convey the buildup and break down of matter to/from a resolved, tranquil

state. With intensive productions that span many months for each one, they

areas impressive in their engineering as they are in their physical, intimate

experience. Many of his collectors call them “sculptures that hang on the wall.”

His vision for his signature sculpted canvas method encompasses sculpturally

complex forms that invite the viewer to witness an energetic transition of forms and media.

This  experience  can often be as calming as it is arresting and as muted as it is animated in

its tactical reality. Each  work’s overall expression appears as a composite  of multiple

subdivisions in complex crafted forms - similar to that of an ocean, wherein small “water

diamonds” make up [what one sees as] one giant wave [of movement]. Anderson is excited for

some of the evolutions of these works, with many more original contractions and method in the

years to come. Through mixed media, the artist energizes abstract, dynamic forms in color and

chiaroscuro to create the nuances that define unique art.


Anderson also utilizes this ability to breakdown and abstract matter and forms in his installation series, ‘Epoch Visions’. All of Anderson’s installations  tell stories through visual interplays and reflect on aspects of society and its evolution. Anderson
feels very strongly for world poverty and other social issues, thus his work promotes and urges that society step back and
re-examine the direction of the human footprint in the realms of overconsumption, materialism, and the inevitable and unpredictable wave of technology that is poised to define our species.


With many years of installations set to launch, Anderson prepares to prolifically expand his body of work and expression.


He currently lives and works in Montclair, NJ and throughout the New York city area.


The Dino

{2015 oil commission}




Born, 1979, Pompton Plains, NJ
Lives and works in Montclair, NJ


2001   BFA Syracuse University
2000  Florence, Italy



Isabella Garrucho Fine Art, Greenwich, CT 

CUBE Art Fair Brussels, Belgium 

Movements, Sujan Salon Gallery, New Delhi, India
Energies,  Estate of Mahinder Tak, Washington, D.C.

Sculpted Forms, Estate of Mahinder Tak, Washington, D.C.
Color in Motion, Private Estate of Dr. Brian Mehling, NY, NY

3D Movements, Private Loft of Google Executive, NY, NY
Mixed Mixed Media, Penthouse of Dr. Brian Mehling, NY, NY 

3D Forms,  Julie Keyes Gallery, New York, NY

Abstracted Landscapes, Workspace Gallery, Melbourne, Australia


Art SCOPE, Miami, FL
ASMT Montclair Law Group, Montclair, NJ


Hackensack Med Center,  Hackensack, NJ
Chatham Art Auction, Chatham, NJ


LGOCA, Laguna Beach, CA
Ocean Galleries, Stone Harbor & Avalon, NJ


Borghi Fine Art, Englewood, NJ


Art SCOPE, Julie Keyes Gallery(NYC), Miami, FL

Westport River Gallery, Westport, CT


New York Design Center, New York, NY
Giorgio Gucci Art Auction, Waldorf Astoria, NYC

The Waldorf Astoria, New York, NY

The Crowne Building, New York, NY

Tria Gallery, New York, NY 

Neuhoff Gallery, New York, NY

Like the Spice Gallery, New York, NY 

A-Forest Project Gallery, New York, NY / London, UK



Four Seasons Luxury Residences NY, NY



Four Season Luxury Residences NY, NY
MS Koningsdam,  Oslo, Norway


Ashenfelter McDonough & Trevenen, LLP,  Montclair, NJ
Norton Rose Fulbright US LLP NY, NY

30 Park Place, 30 Park Ave, NY, NY


7 World Trade Center, 250 Greenwich St, NY, NY 


Citigroup Headquarters, 666 Fifth Ave, NY, NY


Blue Ocean Designs, East Hampton, NY


Private collections worldwide, including:
Brussels, Belgium

-London, UK
-Melboune & Sydney, Australia

-Montreal, CN

-New Delhi, India

-Oslo, Norway (Incl. MS Koningsdam Collection)

-Paris, France
-Quebec, CN (Josee-Lyne Falcone Collection)
-Greenwich, CT

-Los Angeles, CA

-Miami, FL

-New York, NY (Incl. Silverstein Family Collection)

-San Francisco, CA
-Washington, D.C. (Incl. Mahinder Tak Collection)